Composer/clarinetist/vocalist Beth Fleenor harbors a strong love for variety & all sonic manipulation, moving freely through genres such as rock, jazz, classical, contemporary chamber, Slavic & American folk, metal, musique concrete, ambient & pop. Her work has been heard internationally from 100,000 seat rock festivals, maximum-security prisons, and performance art in rural bars, to art galleries, bunkers, sidewalks, sacred spaces, and some of the most prestigious concert halls, museums, clubs and theaters in the country. Believing that “art is the discipline of being,” Fleenor uses sound to open the channels of communication between and within individuals and environments. Her work as been heard in live music, recordings, theater, performance art, installation, modern dance, and film. She believes that an emphasis on creativity in a culture gives rise to creative solutions to social problems.
Fleenor is honored to have worked with artists such as Wayne Horvitz, Butch Morris, Bobby Previte, King Crimson’s Trey Gunn, David Byrne, Terry Riley, Robin Holcomb, Jherek Bischoff, Joshual Kohl, Matana Roberts, Briggan Krauss, Skerik, Amy Denio, Samantha Boshnack, Led To Sea, Mirah, Soko, William O. Smith, Eyvind Kang, Malcom Goldstein, Jessika Kenney, Degenerate Art Ensemble, Jim Knapp, Denney Goodhew, Paris Hurley, Jim Black, Timothy Young, Paul Moore, John Tchicai, Gretta Harley, Bright Archer (Johanna Kunin), Mike Dillon, Parenthetical Girls, Robin Lynn Smith, Gino Yevdjevich/KULTUR SHOCK, Shane Perlowin, Implied Violence, Paul Budraitis, Jessica Lurie, Jeff Huston, Bill Patton, Monktail Creative Music Concern, Tom Swafford, John Burrow, Matthew Richmond, Stephen Parris, Michael Owcharuk, Stephen Fandrich, and Zachary Watkins, among many others.